Theatre-style Presentation

The basic diorama box is ready for scenery and track.

At this stage, the temporary wallpaper backscene is there to define the shape, the LED test-lighting rests loosely on front-to-back supports, the ply track bed is roughly in position with paper marking out the boundary of the front and rear scenic jigsaw pieces to come. There are many possible trade-offs to be made.

This first attempt at a theatre-style presentation is based on Kyle of Sutherland's exhibition format, the box being roughly equivalent to one-third of Kyle of Sutherland.

St Donats 1963 Re-start

Since the last post in April 2019 I have struggled to get back into modelling, the last work on the diorama finishing around February 2019. I did have a flurry of activity upgrading 1649 at the Missenden Summer School in 2019 and continued until October. Compare this photo with the one in the post of 1^st February 2019. It’s strange to think how I was happy to exhibit 1649 on Kyle of Sutherland in that form and that no-one commented on the lack of detail.

The detailing and the above view of 1649 were based on a photo of 1643 on the cover of Roger Cox’s copy of “The Pannier 16xx”, a double page spread of 1643 inside, and photographs of every 16xx for cross-referencing. My shed books tell me 1643 was a Llanelly engine, which I saw in 1963, so it wouldn’t be too much of a stretch to re-number 1649 to1643 for use on St Donats 1963. My thanks go to Roger for an extensive loan, the book being now safely back in his hands again.

Of particular note are the sandboxes folded up from 6 thou nickel as in Photo H9, page 94, of Guy Williams “The 4mm Engine, A Scratchbuilder’s Guide”, and the water balance pipe made from a 5 thou brass fold-up over a hard brass core, just visible behind the middle splasher. The snagging list still contains over 20 items, including a new front lamp with improved carrying handle.

But what of the diorama itself? My self-isolation to reduce the risk of catching the corona virus has brought about a resurgence of interest and enthusiasm in modelling. Here a health expert keeps me company while I review plans for the main structure, aka the “box”.

With the experience of making Kyle of Sutherland under my belt, I decided this time to make the box first, rather than the layout, and avoid the difficulty of boxing up the completed layout later when I needed to store it.

Now, with the top and front panels removed, the base of the box will be revealed as a traditional baseboard (salvaged from Kyle of Sutherland and reduced in size) with the box sides and back panel able to support the proscenium arch, backscene and lighting.